Through relational methodologies, I conceive my practice as collaboratory-loving interventions that aim to heal the wounds that racism and patriarchy have inscribed within us and our ancestors through the narratives of progress, reason, and dominance. So, from an almost forensic gaze upon the remains of Andean colonial modernity, my work explores how the traces of Eurocentric ontology have shaped our senses of the common and, therefore, distorted the pluriversal ways in which we expirience well-being. In this sense, I seek to showcase how different ways of knowledge and academic disciplines have built consensus (or not) about what is real, legitimate and truth as an ethical response to enact the inseparability, fluidity and correspondence of our relational existences. I approach my practice as an open lecto-scriptural process that can take the form of various visual mediums. In my projects I follow a careful research process situated in the territories that I inhabit and the communities where I belong; in order to explore, together with them, the fields of knowledge that unites our collective memories.