https://chrisluza.com Chris Luza Tue, 06 Jan 2026 01:55:51 +0000 https://chrisluza.com en https://chrisluza.com/Home-english Tue, 25 Nov 2025 16:01:28 +0000 Chris Luza https://chrisluza.com/Home-english EN/ESP CHRIS LUZA visual arts &amp; literature in motion Chris Luza is a visual artist and cultural mediator based in Peru. In their work, they investigate how the entanglement of fantastic horror and terror narratives with “historical truths” have bounded our senses of well-being to colonial hierarchies. From this standpoint, Chris’s practice seeks to sabotage those patriarchal and Eurocentric epistemologies while simultaneously empowering inherited emancipatory knowledges that survive the colonial order. Their work spans various visual mediums — such as video installations, performances, and drawings — as well as experimental gatherings including festivals, exhibitions, and collective reading experiences. https://chrisluza.com/Mid-way-survey Wed, 03 Dec 2025 03:32:25 +0000 Chris Luza https://chrisluza.com/Mid-way-survey EN/ESP mid-way survey performance &amp; written essay, 2025 <img width="1786" height="1618" width_o="1786" height_o="1618" data-src="https://freight.cargo.site/t/original/i/c2eddd5d99839a179b3260c616af873d4cecfc56745de4fc23d330704f1f1641/Captura-de-pantalla-2025-12-02-a-las-10.39.12p.m..png" data-mid="241342910" border="0" src="https://freight.cargo.site/w/1000/i/c2eddd5d99839a179b3260c616af873d4cecfc56745de4fc23d330704f1f1641/Captura-de-pantalla-2025-12-02-a-las-10.39.12p.m..png" /> Between May and July 2025, I developed Encuesta a medio camino (Midway Survey), a performative exercise of institutional infiltration at the Museo de Arte de Lima (MALI), carried out within the framework of Non-nente: Un sueño para una nación indígena (A dream for an indigenous nation), an exhibition by the Shipibo-Konibo artist Sara Flores. The action consisted of administering a series of surveys to museum visitors in order to investigate how the exhibition’s proposal for Indigenous territorial self-determination was being interpreted from within the museum space. The performance sought to trouble the languages of social research and the institutional devices of cultural representation, interrogating the mediations through which “the Indigenous” is translated inside the museum. One of the central sections of the survey proposed a comparative exercise between Sara Flores’s portrait for the House of Dior and the well-known image of Comandanta Ramona of the EZLN. Through this comparison, I aimed to examine how the Indigenous female body was being read, perceived, and accepted or rejected in terms of sovereignty and resistance within the museum. The questionnaire was designed in dialogue with the artificial intelligence software ChatGPT, with the aim of revealing how the algorithms of this culturally designated “intelligent” technology assimilate and operationalize identity politics within logics of productivity and progress. Through this process, I realized that even my attempt at critique reproduced structures of classification and distance. For this reason, I decided to leave the research unfinished, transforming its interruption into a gesture of epistemological resistance against the modern pretension of totality and knowledge mastery. This process unfolded into a written essay that analyzes the various reactions to Sara Flores’s exhibition and her recent selection to represent Peru at the 61st Venice Biennale (2026). The essay examines how modern-colonial technologies of development operate —at aesthetic, ethical, and political levels— in the encounter/collision between worlds, and how the racializing logics of the Peruvian nation-state have been historically structured upon the rhetoric of mestizaje. The title of the performance is inspired by what decolonial feminist Yuderkys Espinoza Miñoso calls “worlds halfway through.” https://chrisluza.com/Common-desires Tue, 06 Jan 2026 01:55:51 +0000 Chris Luza https://chrisluza.com/Common-desires EN/ESP Common desires workshop, 2025 This workshop was conceived as the closing activity of The Worst of All exhibition and was carried out in collaboration with Amapola Prada and Boris Aldana —artist friends and exhibition attendees with whom we decided to conspire in this unusual experiment. Through the workshop, we sought to explore the construction of subjectivities emerging from the participants in articulation with the future fictions unfolded throughout the exhibition. By evoking the animist spirit traditionally present in our territories, we aimed to foster a reconfiguration of relationality, embodiment, and collective imagination. <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a1f8719e597bb8d710520b98e4910baee0ae4f376af0d1363cf1fb360c331a9d/La-peor-de-todas-8.jpeg" data-mid="242481059" border="0" src="https://freight.cargo.site/w/1000/i/a1f8719e597bb8d710520b98e4910baee0ae4f376af0d1363cf1fb360c331a9d/La-peor-de-todas-8.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/09785d1aedf2b8e65d369c9e32f8520b342a7f60b0e3f13f2374e4e74d2212ef/La-peor-de-todas-7.jpeg" data-mid="242481061" border="0" src="https://freight.cargo.site/w/1000/i/09785d1aedf2b8e65d369c9e32f8520b342a7f60b0e3f13f2374e4e74d2212ef/La-peor-de-todas-7.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/18f3fdd722c5fc8a9aa58dec1edab36a2af369e7d2c4acbe5b204e083a035633/IMG_1543.jpeg" data-mid="242481060" border="0" src="https://freight.cargo.site/w/1000/i/18f3fdd722c5fc8a9aa58dec1edab36a2af369e7d2c4acbe5b204e083a035633/IMG_1543.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5bbc87fa7fe3d6f12e3b8cfb770f451aa77af7b1f94aad843f5b8f0e8272e4e7/IMG_1581.jpeg" data-mid="242481111" border="0" src="https://freight.cargo.site/w/1000/i/5bbc87fa7fe3d6f12e3b8cfb770f451aa77af7b1f94aad843f5b8f0e8272e4e7/IMG_1581.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/55a9a0b3f75fea6a8b6498ae38a7c8ebfe27179f5125ee3173c3bb9ba6def191/IMG_1626.jpeg" data-mid="242481058" border="0" src="https://freight.cargo.site/w/1000/i/55a9a0b3f75fea6a8b6498ae38a7c8ebfe27179f5125ee3173c3bb9ba6def191/IMG_1626.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/65288c93187e18c3ad6bfc147b1b3900a0b2ea011eb7eb4072c8628ebc3fead8/IMG_1654.jpeg" data-mid="242481057" border="0" src="https://freight.cargo.site/w/1000/i/65288c93187e18c3ad6bfc147b1b3900a0b2ea011eb7eb4072c8628ebc3fead8/IMG_1654.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/788f2446ae8e35529698a280f1329d30ad26a874352370c7f945f023e567e7f9/La-peor-de-todas-9.jpeg" data-mid="242481056" border="0" src="https://freight.cargo.site/w/1000/i/788f2446ae8e35529698a280f1329d30ad26a874352370c7f945f023e567e7f9/La-peor-de-todas-9.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/82409a5e3a6f1a8600566976da11861a00342e5cbe0761ed4de7075a026691a5/IMG_1638.jpeg" data-mid="242481115" border="0" src="https://freight.cargo.site/w/1000/i/82409a5e3a6f1a8600566976da11861a00342e5cbe0761ed4de7075a026691a5/IMG_1638.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/02422abf7190837ab0abb861c26289ccf486a9737295887ecafcb197d953e4b0/IMG_1669.jpeg" data-mid="242481117" border="0" src="https://freight.cargo.site/w/1000/i/02422abf7190837ab0abb861c26289ccf486a9737295887ecafcb197d953e4b0/IMG_1669.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/549715e2d0fb70a85fc9d0f666ea68b518775df062385e65fc166b832ce486cb/IMG_1670.jpeg" data-mid="242481118" border="0" src="https://freight.cargo.site/w/1000/i/549715e2d0fb70a85fc9d0f666ea68b518775df062385e65fc166b832ce486cb/IMG_1670.jpeg" /> Common Desires: Animated Objects Workshop When we collectively imagine the future, in addition to projecting apocalyptic horizons, we often lose sight of the kinds of subjectivities that inhabit those projections. How can we reconnect our desires with what unconsciously moves our bodies at a deeper level? This workshop proposes to explore honest forms of interaction around the common through bodily exercises of introspection and correspondence, and to then translate what has been explored into the creation and animation of beings or objects, drawing on some premises from the tradition of puppet theater. The workshop was open to young people and adults in general. &nbsp;<img width="2878" height="3810" width_o="2878" height_o="3810" data-src="https://freight.cargo.site/t/original/i/7456354de4e7642f3dd5c488ed9d34aa3a1adfd3d813b6dfeecdcbf83ae267e6/La-peor-de-todas-10.jpeg" data-mid="242481055" border="0" src="https://freight.cargo.site/w/1000/i/7456354de4e7642f3dd5c488ed9d34aa3a1adfd3d813b6dfeecdcbf83ae267e6/La-peor-de-todas-10.jpeg" /> https://chrisluza.com/The-worst-of-all Tue, 02 Dec 2025 14:06:54 +0000 Chris Luza https://chrisluza.com/The-worst-of-all EN/ESP the worst of all collaborative research, 2025 La peor de todas (The Worst of All) is a process-based research project by Chris Luza and Isaac Ernesto, which develops a transdisciplinary methodology for visual production and speculative fiction as a means to rethink the relationship between technology, colonial memory, and imagination. The title references Sor Juana Inés de la Cruz’s self-description as “the worst of all,” reclaiming her gesture of resistance against the patriarchal and colonial hierarchies of her time (sXVII) as an entry point for critically engaging with Artificial Intelligence (AI). Throughout its development, the project has unfolded through workshops, speculative exercises, and collaborative research, culminating in the exhibition held from November 13 to December 13, 2025.&nbsp; Below is the curatorial text written by Carlos Zevallos Trigoso, which situates the exhibition within the broader conceptual and political questions that frame La peor de todas. <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/456339cbfe2f2ebd180184a374b31e54919260248f95c25a2ea1b647ed58ca14/IMG_1426.jpeg" data-mid="241329079" border="0" alt="Installation view of the exhibition at self-managed cultural space 'Casa de Mamus'" data-caption="Installation view of the exhibition at self-managed cultural space 'Casa de Mamus'" src="https://freight.cargo.site/w/1000/i/456339cbfe2f2ebd180184a374b31e54919260248f95c25a2ea1b647ed58ca14/IMG_1426.jpeg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/b1c0a634c1757e07bbec1bd63ee3cab0e7bc15be73d6e808267f77cdeda9bd52/DSC_5442.JPG" data-mid="241331918" border="0" alt="Installation view of 'Statements' at self-managed cultural space 'Casa de Mamus'" data-caption="Installation view of 'Statements' at self-managed cultural space 'Casa de Mamus'" src="https://freight.cargo.site/w/1000/i/b1c0a634c1757e07bbec1bd63ee3cab0e7bc15be73d6e808267f77cdeda9bd52/DSC_5442.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/7c77a058a22c7225a218c1b6ccf560e7b8885c01334fc3da448ce75baf0c9f3e/DSC_5407.JPG" data-mid="241330654" border="0" alt="Exhibition view of 'Red sea' multimedia installation at self-managed cultural space 'Casa de Mamus'" data-caption="Exhibition view of 'Red sea' multimedia installation at self-managed cultural space 'Casa de Mamus'" src="https://freight.cargo.site/w/1000/i/7c77a058a22c7225a218c1b6ccf560e7b8885c01334fc3da448ce75baf0c9f3e/DSC_5407.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/8e33f9027b89fd7409d3e2c924b8f772f6a74227709453f2052e392355d26734/DSC_5413.JPG" data-mid="241330618" border="0" alt="Exhibition view of 'Red sea' multimedia installation at self-managed cultural space 'Casa de Mamus'" data-caption="Exhibition view of 'Red sea' multimedia installation at self-managed cultural space 'Casa de Mamus'" src="https://freight.cargo.site/w/1000/i/8e33f9027b89fd7409d3e2c924b8f772f6a74227709453f2052e392355d26734/DSC_5413.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/65e57117805009a94a92d77cfa50c8c6e8db40569c744c65cb34fad264840669/DSC_5400.JPG" data-mid="241330665" border="0" alt="Exhibition view of 'Red sea' multimedia installation at self-managed cultural space 'Casa de Mamus'" data-caption="Exhibition view of 'Red sea' multimedia installation at self-managed cultural space 'Casa de Mamus'" src="https://freight.cargo.site/w/1000/i/65e57117805009a94a92d77cfa50c8c6e8db40569c744c65cb34fad264840669/DSC_5400.JPG" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/a99edb0f02dafec33222b6102ba3c4d85c2f764cd5124da4c33a6da31b3f0e18/IMG_1423.jpeg" data-mid="241329082" border="0" alt="Installation view of the exhibition at self-managed cultural space 'Casa de Mamus'" data-caption="Installation view of the exhibition at self-managed cultural space 'Casa de Mamus'" src="https://freight.cargo.site/w/1000/i/a99edb0f02dafec33222b6102ba3c4d85c2f764cd5124da4c33a6da31b3f0e18/IMG_1423.jpeg" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/d021704e72fe03f817d555393ca603f4176e814f19b32c7132e1b6e9553021a3/_DSC5313.JPG" data-mid="241330637" border="0" alt="Detail of &ldquo;statements,&rdquo; series of four trapezoidal screen printing plates illuminated from behind, 63.5x70cm. 2025" data-caption="Detail of “statements,” series of four trapezoidal screen printing plates illuminated from behind, 63.5x70cm. 2025" src="https://freight.cargo.site/w/1000/i/d021704e72fe03f817d555393ca603f4176e814f19b32c7132e1b6e9553021a3/_DSC5313.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/f24510d93beecdc01d60eed9af7b17ba2dc445e32f1ae035614e4d2802801203/DSC_5484.JPG" data-mid="241329102" border="0" alt="Detail of &ldquo;statements,&rdquo; series of four trapezoidal screen printing plates illuminated from behind, 63.5x70cm. 2025" data-caption="Detail of “statements,” series of four trapezoidal screen printing plates illuminated from behind, 63.5x70cm. 2025" src="https://freight.cargo.site/w/1000/i/f24510d93beecdc01d60eed9af7b17ba2dc445e32f1ae035614e4d2802801203/DSC_5484.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/5dee3efc7b1a9cd4ac457f2401846029a8b155feec398a20d8c9aaf220178714/DSC_5417.JPG" data-mid="241330626" border="0" alt="&ldquo;Statements,&rdquo; series of four trapezoidal screen printing plates illuminated from behind, 63.5x70cm. 2025" data-caption="“Statements,” series of four trapezoidal screen printing plates illuminated from behind, 63.5x70cm. 2025" src="https://freight.cargo.site/w/1000/i/5dee3efc7b1a9cd4ac457f2401846029a8b155feec398a20d8c9aaf220178714/DSC_5417.JPG" /> <img width="2290" height="1268" width_o="2290" height_o="1268" data-src="https://freight.cargo.site/t/original/i/0373ecf1ba8ce44cc5b2bdf5b13d672ffbbfe1a2eaa6258ac45b46495368b674/Captura-de-pantalla-2025-12-02-a-las-10.19.16p.m..png" data-mid="241342542" border="0" alt="Screenshot of a TikTok shared by a visitor, which reached 103k views, a rarely frequent amount of views for art exhibitions in Peru" data-caption="Screenshot of a TikTok shared by a visitor, which reached 103k views, a rarely frequent amount of views for art exhibitions in Peru" src="https://freight.cargo.site/w/1000/i/0373ecf1ba8ce44cc5b2bdf5b13d672ffbbfe1a2eaa6258ac45b46495368b674/Captura-de-pantalla-2025-12-02-a-las-10.19.16p.m..png" /> La peor de todas — Exhibition at Casa de Mamus “This exhibition emerges as the result of an artistic and methodological research project developed by Chris Luza and Isaac Ernesto, recipients of the Visual Arts Production Grant from the Ministry of Culture of Peru. The project arises from a negotiation with the institutional expectations that typically shape such funding: the demand for social impact and the preference for productions that do not overly trouble the structures that sustain them. In response, Chris and Isaac shift the emphasis away from the artwork as a final product and toward the systematization of research–creation processes, proposing that methodological work is itself a form of artistic production. Thus, the project focuses on developing strategies to systematize the emerging relationship between art and technologies linked to generative artificial intelligence, interrogating both its potential as a tool for research–creation and the frictions that stem from its fundamentally capitalist and neocolonial origins. The proposal directly addresses the question of the relationship between artistic creation and generative AI at a historical moment in which narratives proliferate that frame AI as a threat to human creativity—this supposedly exceptional faculty that would distinguish us from machines. A common response to this horizon is the celebration of manual, analog, “artisanal” forms of work as the last bastion of the properly human in the face of total automation. However, it is necessary to ask whether this defense of “the human” merely reproduces the hierarchies and exclusions that have historically shaped that category. Critical perspectives on Western liberal humanism (Braidotti) have emphasized that the figure of “Man” as a universal subject has always been a normative construction that excludes that which is not male, white, European, heterosexual, and property-owning. Likewise, postcolonial studies have shown how the category of “human” was systematically denied to colonized peoples for centuries, legitimizing their enslavement and exploitation. To reclaim “the human” against the machine risks reinstalling the very onto-epistemic hierarchies that underpin both capitalist productivism and the colonial difference. This does not mean surrendering uncritically to the multibillion-dollar corporations that control the infrastructures of generative AI—corporations whose business models rely on massive data extraction, the labor precarity of data annotators in the Global South, and the consolidation of technological monopolies. Rather, it calls for a simultaneous distrust of both the techno-solutionist promises of these platforms and the discourses that urge us to rescue a supposedly threatened human essence, as if that essence had not already been a category of domination. In this project, Chris and Isaac adopt a position of ambivalence toward generative AI technologies. They approach them as something that operates simultaneously as remedy and poison, without being able to determine in advance which of these dimensions will prevail. This radical ambivalence requires inhabiting the discomfort of not knowing whether these tools function as instruments of emancipation or control, of creation or automated reproduction. Generative AIs operate precisely in this register: they are tools that can amplify imaginative capacities and facilitate research processes, but also devices that consolidate corporate power, reproduce colonial and racial biases sedimented in their training data, and threaten to intensify the precarity of creative labor. What we encounter in this exhibition is an installation titled “V.O.C.e (Versatile Organic Chemical Enterprise)”, which is also the name of a fictional recreational drug company critically reimagined from the history of the Dutch East India Company (Vereenigde Oostindische Compagnie, or V.O.C.), responsible for the ferocious colonial exploitation of spices in the Maluku Islands in eastern Indonesia between the seventeenth and eighteenth centuries. In this futuristic version generated with AI, V.O.C.e manufactures recreational drugs made from nutmeg, clove, and coca leaf—substances historically coveted in Europe. The conceptual operation is revealing: the “spices” that fueled Dutch colonial extractivism in Indonesia are speculatively combined with coca leaf, which has its own history of colonial extraction in the Andes. What emerges is a dystopian future in which colonial structures have not been overcome but displaced and reconfigured: the center–periphery logic persists, the extraction of resources from the Global South for the consumption of the North continues, except now the commodities are psychoactives rather than spices. This future is not a warning about what could happen but a way of rendering visible how the future is already being colonized by the same grammars of domination that shaped the past. V.O.C.e is not an imaginary company located in a time to come—it is the contemporary unfolding of extractivist logics that never ceased to operate. Alongside this project, the exhibition also includes three folders containing documents produced in the workshops “Imagining Critical Futures”, which were speculative fiction spaces conducted in Iquitos, Trujillo, and Huamanga. In these workshops, groups of participants worked with generative AI to create speculative stories about the future of their territories. The proposal does not emerge from nowhere; rather, it is activated through what already pre-exists in the massive corpora of texts and images on which these platforms were trained. Generative AI models have been fed global cultural archives saturated with colonial histories, extractivist narratives, apocalyptic imaginaries, and structures of epistemic violence. When we ask an AI to imagine the future, or to generate stories about corporations, colonialism, or drugs, we are in fact activating these sedimentations: AI does not invent from scratch—it reconfigures and recombines patterns that already inhabit its training layers.” - Carlos Zevallos Trigoso <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/450a503edf0afbb6d75d13b659fbf670e5920279e0673eacdc23c1d90f21d7a9/7F2E02BB-3D83-4C8C-A443-E122E68772DB.JPG" data-mid="241339062" border="0" alt="Speculative Fiction workshop at Museo de arte Amazonico - Iquitos" data-caption="Speculative Fiction workshop at Museo de arte Amazonico - Iquitos" src="https://freight.cargo.site/w/1000/i/450a503edf0afbb6d75d13b659fbf670e5920279e0673eacdc23c1d90f21d7a9/7F2E02BB-3D83-4C8C-A443-E122E68772DB.JPG" /> <img width="981" height="552" width_o="981" height_o="552" data-src="https://freight.cargo.site/t/original/i/23a606009598bb080b3c0380e87eb5e87e9c50dfb4953bbfab1b1ac465aadfcc/descarga.jpeg" data-mid="241339049" border="0" alt="Speculative Fiction workshop at Cesar Vallejo School - Huamanga" data-caption="Speculative Fiction workshop at Cesar Vallejo School - Huamanga" src="https://freight.cargo.site/w/981/i/23a606009598bb080b3c0380e87eb5e87e9c50dfb4953bbfab1b1ac465aadfcc/descarga.jpeg" /> <img width="977" height="549" width_o="977" height_o="549" data-src="https://freight.cargo.site/t/original/i/12b78cb74d60664264219ee49d35dcb7cb7491792c9d9a5646be85a1bafed975/descarga-1.jpeg" data-mid="241339048" border="0" alt="Speculative Fiction workshop at Paijaaaaaaan - Trujillo" data-caption="Speculative Fiction workshop at Paijaaaaaaan - Trujillo" src="https://freight.cargo.site/w/977/i/12b78cb74d60664264219ee49d35dcb7cb7491792c9d9a5646be85a1bafed975/descarga-1.jpeg" /> Speculative fiction workshops — Huamanga, Iquitos &amp; Trujillo.&nbsp;The second phase of the project, the&nbsp;Speculative Fiction Workshops were held in Iquitos, Ayacucho, and Trujillo, where participants collectively imagined critical futures and constructed shared alternative chronologies. The workshops took place in three different community and cultural spaces: the César Vallejo School in Huamanga, the Museo de Arte Amazónico in Iquitos, and Paijaaaaaaan in Trujillo, in collaboration with the Museo de Arte Moderno de Trujillo (MAM). Across the three workshops, participants worked primarily with existing forms of community and social organization, using them as foundations to imagine collective modes of resistance and reconstruction. These imaginaries often sought to reconstitute bonds of communal life that challenge the stability of the colonial modern project. At the same time, the workshop results made visible the ways infrastructural algorithms operate when projecting themselves into the future—revealing how colonial matrices continue to reproduce themselves through racial, class-based, and gendered conditioning. Huamanga — After the 2075 Collapse In Ayacucho, participants developed a fiction set after the global collapse of 2075—marked by the bombing of major world capitals and the fall of Lima due to a zombie occupation. Autonomous forms of organization began to emerge throughout the region. In Huamanga, the first assemblies were convened through graffiti on walls and streets reading: “Asamblea General de Organización.”From these gatherings arose new structures of care, including the Colectiva de Madres Cuidadoras, which led the reforestation of the city, water harvesting, and the cleansing of acequias as both ritual and economic practices. Their work also gave rise to Cholita Ruda, a space for collective and horizontal childcare, symbolizing a new mode of community grounded in equity and affection.Faced with dissent and internal tension, the assemblies replaced punishment with reparative forms of reintegration based on care and dialogue. What ultimately emerged was a nameless society—a living network recognized through gestures rather than titles, through rounds, regrowth, and murmurs. A community refusing the notion of nationhood yet flourishing in acts of shared care. The complete archive is vailable through this link. Iquitos — The 2035 Amazon Summit In Iquitos, participants imagined the 2035 Amazon Summit of Loreto, where Indigenous leaders and regional governments meet for the first time to envision a future based on ecological sovereignty and territorial justice. From figures such as Jorge Pérez Rubio to Nemonte Nenquimo, Amazonian voices consolidate a historic pact prioritizing life, autonomy, and the responsible use of natural resources.Yet the initiative faces opposition from extractive corporations whose interests are threatened. Amid media disputes and unexpected alliances, the summit marks the beginning of a new decade of continental organizing leading toward 2045: the time of the forest. The complete archive is vailable through this link. Trujillo — Before and After the 2048 Reset In Trujillo, the workshop imagined a prelude to the 2048 Reset. Before the collapse, the Alianza Vigías de Chan Chan—a conservative technoscientific-spiritual elite—attempted to preserve the old order, fearing that the earth might “forget how to remain solid.” Their failure gave rise to the Gran Huayco, a total collapse that dissolved cities, certainties, and hierarchies.In Paiján: Memory of the Future, the Natural History Museum of Paiján reconstructs this transition, showing how humanity learned to mutate alongside the desert. Among Aerocondors, Viringos, and Eco-Oceanics, the narrative celebrates adaptation as a vital principle and warns that survival lies not in resisting change, but in transforming with it. The complete archive is vailable through this link. https://chrisluza.com/The-desert-has-not-dried-out-our-tongues Tue, 02 Dec 2025 20:19:01 +0000 Chris Luza https://chrisluza.com/The-desert-has-not-dried-out-our-tongues EN/ESP The desert has [not] dried out our tongues collective reading session, 2025 <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/2a653336630456784887ec3a0a8cd68f3ae96c5fd557cf7717b51d1b24a90bdf/IMG_0954.jpeg" data-mid="241328237" border="0" alt="Participants reading during the session" data-caption="Participants reading during the session" src="https://freight.cargo.site/w/1000/i/2a653336630456784887ec3a0a8cd68f3ae96c5fd557cf7717b51d1b24a90bdf/IMG_0954.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/5fcb2ba46fa1bca27a2c764c68f68c690850b4b7a1feaa05ff91bc5bd325d16f/IMG_0953.jpeg" data-mid="241328236" border="0" alt="Participants reading during the session" data-caption="Participants reading during the session" src="https://freight.cargo.site/w/1000/i/5fcb2ba46fa1bca27a2c764c68f68c690850b4b7a1feaa05ff91bc5bd325d16f/IMG_0953.jpeg" /> <img width="3864" height="2212" width_o="3864" height_o="2212" data-src="https://freight.cargo.site/t/original/i/8ecf4b470c23c15e9cd2421ca4654cd0d1ac92789b8d4af9c13064a4e6ecffa7/IMG_0946.jpeg" data-mid="241328241" border="0" alt="group of three texts over sheepskin " data-caption="group of three texts over sheepskin " src="https://freight.cargo.site/w/1000/i/8ecf4b470c23c15e9cd2421ca4654cd0d1ac92789b8d4af9c13064a4e6ecffa7/IMG_0946.jpeg" /> <img width="1064" height="1060" width_o="1064" height_o="1060" data-src="https://freight.cargo.site/t/original/i/d354c15d3dbcff1e38419faeaf08125b63b6d337b1201d459415705ace141135/Captura-de-pantalla-2025-12-02-a-las-3.22.04p.m..png" data-mid="241328250" border="0" alt="Animated poster design by Gery Vargas from her animation piece ' Antes del tremor'" data-caption="Animated poster design by Gery Vargas from her animation piece ' Antes del tremor'" src="https://freight.cargo.site/w/1000/i/d354c15d3dbcff1e38419faeaf08125b63b6d337b1201d459415705ace141135/Captura-de-pantalla-2025-12-02-a-las-3.22.04p.m..png" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/fed43eef8c67b630c06e62f755f883a959bf863a9cf90e3b3dd3232ebe09c5df/IMG_0955.jpeg" data-mid="241328238" border="0" alt="Participants reading during the session" data-caption="Participants reading during the session" src="https://freight.cargo.site/w/1000/i/fed43eef8c67b630c06e62f755f883a959bf863a9cf90e3b3dd3232ebe09c5df/IMG_0955.jpeg" /> “The desert has [not] dried out our tongues.” On Friday, October 24, Peruvian–North American artist Gery Vargas and I activated ‘Antes del tremor’, a textile and digital animation piece by Gery, through a session of dispersed readings that invited collective reflection on mestizaje, migration, and desire. Drawing from the voices and writings of authors such as Gloria Anzaldúa, José María Arguedas, Silvia Rivera Cusicanqui, Luis F. Reyes Escate, and Marisol de la Cadena, among others, the session brought together participants in a collective reading experience to explore how different versions of mestizaje can be woven from our present—even in its most indifferent economic expression. https://chrisluza.com/Indigenistas-tampoco Tue, 02 Dec 2025 13:45:54 +0000 Chris Luza https://chrisluza.com/Indigenistas-tampoco EN/ESP Indigenistas tampoco non-fiction video essay, 2025 <img width="2051" height="1170" width_o="2051" height_o="1170" data-src="https://freight.cargo.site/t/original/i/87c2ac2b8f28777357f96dae771326a02aaf3c9b778a7cbba01a77b071ff29fe/indigenistas-tampoco.jpg" data-mid="241315646" border="0" src="https://freight.cargo.site/w/1000/i/87c2ac2b8f28777357f96dae771326a02aaf3c9b778a7cbba01a77b071ff29fe/indigenistas-tampoco.jpg" /> “Indigenistas tampoco (Indigenistas neither)”video essay6’45” 2025 Indigenistas tampoco departs from a reflection by Peruvian historian Cecilia Méndez, who criticized how Peruvian Creole nationalism has historically exalted the Inca legacy at the expense of marginalizing Indigenous struggles and voices in Peru. Building on this critique, the film extends this tension toward indigenismo as a foundational project of nationalist representation, pointing to how both Creole and indigenista narratives have tended to instrumentalize Indigenous resistance as a symbolic foundation of the nation. This contradiction was clearly identified by Aymara thinker, activist, and writer Fausto Reynaga in the 1970s. The film situates this problem in the present through the symbolic repatriation of the remains of Fernandito Túpac Amaru, son of Túpac Amaru II and Micaela Bastidas, held in the city of Cusco in April 2025. Video available through this link. https://chrisluza.com/If-a-river Tue, 02 Dec 2025 13:33:23 +0000 Chris Luza https://chrisluza.com/If-a-river EN/ESP If a river videopoetry, 2024 <img width="3024" height="1702" width_o="3024" height_o="1702" data-src="https://freight.cargo.site/t/original/i/fdd46b850bbac8e4a14c3cc353b839a72e8c35e86d23858afa6b955a35efa9d0/Screenshot-2025-01-28-at-7.43.38PM.png" data-mid="241315427" border="0" src="https://freight.cargo.site/w/1000/i/fdd46b850bbac8e4a14c3cc353b839a72e8c35e86d23858afa6b955a35efa9d0/Screenshot-2025-01-28-at-7.43.38PM.png" /> <img width="3024" height="1698" width_o="3024" height_o="1698" data-src="https://freight.cargo.site/t/original/i/7857f174e21a5f6712076cd429db75243dbfca3e790526ef20d5f704363f74f8/Screenshot-2025-01-28-at-7.45.15PM.png" data-mid="241315426" border="0" src="https://freight.cargo.site/w/1000/i/7857f174e21a5f6712076cd429db75243dbfca3e790526ef20d5f704363f74f8/Screenshot-2025-01-28-at-7.45.15PM.png" /> <img width="3024" height="1686" width_o="3024" height_o="1686" data-src="https://freight.cargo.site/t/original/i/6ea6fdddad90e76e0983e18bfb1ab33537b9e60bb11c660a20382f1d13e0c311/Captura-de-pantalla-2025-12-02-a-las-8.42.07a.m..png" data-mid="241315451" border="0" src="https://freight.cargo.site/w/1000/i/6ea6fdddad90e76e0983e18bfb1ab33537b9e60bb11c660a20382f1d13e0c311/Captura-de-pantalla-2025-12-02-a-las-8.42.07a.m..png" /> “If a river”videopoetry3’21” 2024 Through visual footage captured during the Champería, a traditional water festival that celebrates the reciprocity between the community of San Pedro de Casta, the water, and its territory, this videopoetry explores the principles of the relational ontology of the Andean world in a clear connection with some of the social struggles that impacted my writing at the end of 2024. Video available at&nbsp;https://vimeo.com/1049159088 https://chrisluza.com/Reded-Scapes-On-Spellbounds Tue, 09 Dec 2025 05:43:49 +0000 Chris Luza https://chrisluza.com/Reded-Scapes-On-Spellbounds EN/ESP Reded scapes &amp; On Spellbounds &nbsp;text contribution, 2024 <img width="1433" height="898" width_o="1433" height_o="898" data-src="https://freight.cargo.site/t/original/i/ecc5c9b5b41f23fa42a1cec01a8d09562a1c6c0a80a1278da7b315b37664fdc1/Captura-de-pantalla-2025-12-05-a-las-5.28.42p.m..png" data-mid="241591113" border="0" src="https://freight.cargo.site/w/1000/i/ecc5c9b5b41f23fa42a1cec01a8d09562a1c6c0a80a1278da7b315b37664fdc1/Captura-de-pantalla-2025-12-05-a-las-5.28.42p.m..png" /> <img width="1434" height="778" width_o="1434" height_o="778" data-src="https://freight.cargo.site/t/original/i/5c53dc7e0595e3d26180a0882b348487200ee3ad889cb4a2fe8b40c9f077d77e/Captura-de-pantalla-2025-12-05-a-las-5.29.09p.m..png" data-mid="241591112" border="0" src="https://freight.cargo.site/w/1000/i/5c53dc7e0595e3d26180a0882b348487200ee3ad889cb4a2fe8b40c9f077d77e/Captura-de-pantalla-2025-12-05-a-las-5.29.09p.m..png" /> Text contribution for the Monster Archief (NL) proyect as a result of my participation in the Perspectives pogramme. My contribution “Reded scapes &amp; On Spellbounds” is available via the following link. https://chrisluza.com/Subsuelo-Seismic-skins Wed, 26 Nov 2025 04:10:37 +0000 Chris Luza https://chrisluza.com/Subsuelo-Seismic-skins EN/ESP subsuelo: seismic skins total art festival, 2024 <img width="1984" height="2835" width_o="1984" height_o="2835" data-src="https://freight.cargo.site/t/original/i/85381720b707d8f53bc4777aac74aef59a2538f60591a2322495eb9593da2fa0/flyer-subsuelo-2024-final.jpg" data-mid="241280688" border="0" data-scale="60" alt="Festival's poster design by Jaime Prada &amp; Chris Luza" data-caption="Festival's poster design by Jaime Prada &amp; Chris Luza" src="https://freight.cargo.site/w/1000/i/85381720b707d8f53bc4777aac74aef59a2538f60591a2322495eb9593da2fa0/flyer-subsuelo-2024-final.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/a2214ce40f6e73aa7eaa6eda03aeeb6b5995c2f72476631bd9ff58930e73816f/registro-subsuelo-2024---Johana-morales-079.jpg" data-mid="241291017" border="0" alt="Aure Vel&aacute;squez &amp; Naif Rolande performing an interpretation of Subsuelo&rsquo;s myth, mentored by Germa Machuca." data-caption="Aure Velásquez &amp; Naif Rolande performing an interpretation of Subsuelo’s myth, mentored by Germa Machuca." src="https://freight.cargo.site/w/683/i/a2214ce40f6e73aa7eaa6eda03aeeb6b5995c2f72476631bd9ff58930e73816f/registro-subsuelo-2024---Johana-morales-079.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e29c8a73919fedd94d9c031f6d080772838bd66b0617eca47350259b0492b951/registro-subsuelo-2024--Jose-Carlos-Flores-21.jpg" data-mid="241250971" border="0" alt="&quot;Brown transvestites bodies&quot; - acrylic painting on Huge totebag (120x200cms) by Sha&ntilde;u Leon aka Nieto de la brujas" data-caption="&quot;Brown transvestites bodies&quot; - acrylic painting on Huge totebag (120x200cms) by Shañu Leon aka Nieto de la brujas" src="https://freight.cargo.site/w/683/i/e29c8a73919fedd94d9c031f6d080772838bd66b0617eca47350259b0492b951/registro-subsuelo-2024--Jose-Carlos-Flores-21.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/196f997678517d79a88e071cc0f62ef0ac8d888aa93bea181702db3f38d97e6c/registro-subsuelo-2024---Johana-morales-019.jpg" data-mid="241251000" border="0" alt="Look 3 from &quot;Serie 001&quot; fashion runway. Design by Zoe G Serrano. Model Cri Rivero" data-caption="Look 3 from &quot;Serie 001&quot; fashion runway. Design by Zoe G Serrano. Model Cri Rivero" src="https://freight.cargo.site/w/683/i/196f997678517d79a88e071cc0f62ef0ac8d888aa93bea181702db3f38d97e6c/registro-subsuelo-2024---Johana-morales-019.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/ed7eb94c0c7c479b61b0092251520dcb480bb2b231f5455ccc5be0559b228db7/registro-subsuelo-2024---Johana-morales-024.jpg" data-mid="241251004" border="0" alt="Look 2 from &quot;Serie 001&quot; fashion runway. Design by Zoe G Serrano. Model Nicolle Shipiba" data-caption="Look 2 from &quot;Serie 001&quot; fashion runway. Design by Zoe G Serrano. Model Nicolle Shipiba" src="https://freight.cargo.site/w/683/i/ed7eb94c0c7c479b61b0092251520dcb480bb2b231f5455ccc5be0559b228db7/registro-subsuelo-2024---Johana-morales-024.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/d3c3b01f7af17664f7ed3c61d7435301065d2559934c902790210b2c10ae48bc/registro-subsuelo-2024---Johana-morales-023.jpg" data-mid="241251003" border="0" alt="Look 2 from &quot;Serie 001&quot; fashion runway. Design by Zoe G Serrano. Model Nicolle Shipiba" data-caption="Look 2 from &quot;Serie 001&quot; fashion runway. Design by Zoe G Serrano. Model Nicolle Shipiba" src="https://freight.cargo.site/w/683/i/d3c3b01f7af17664f7ed3c61d7435301065d2559934c902790210b2c10ae48bc/registro-subsuelo-2024---Johana-morales-023.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/2bc18b0641585c7cbf8cfd02a5cbe133fef97d4266774b4e7b86329cdbf06ec7/registro-subsuelo-2024--Jose-Carlos-Flores-03.jpg" data-mid="241250994" border="0" alt="From &quot;Las tupis&quot; series, mixed media in protest sign, 150x100cms by Javi Vargas" data-caption="From &quot;Las tupis&quot; series, mixed media in protest sign, 150x100cms by Javi Vargas" src="https://freight.cargo.site/w/683/i/2bc18b0641585c7cbf8cfd02a5cbe133fef97d4266774b4e7b86329cdbf06ec7/registro-subsuelo-2024--Jose-Carlos-Flores-03.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/adee59ead38b25ff79b09e4f86f7494b41d0b5845b7fa4b6e28979a7f313fdfd/registro-subsuelo-2024---Johana-morales-159.jpg" data-mid="241251018" border="0" alt="From &quot;Las tupis&quot; series, mixed media in protest sign, 150x100cms by Javi Vargas" data-caption="From &quot;Las tupis&quot; series, mixed media in protest sign, 150x100cms by Javi Vargas" src="https://freight.cargo.site/w/683/i/adee59ead38b25ff79b09e4f86f7494b41d0b5845b7fa4b6e28979a7f313fdfd/registro-subsuelo-2024---Johana-morales-159.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/37d079bf5ceb7393866c8c6accac5baf975249715767826f59afe440df2e5e0c/registro-subsuelo-2024---Johana-morales-236.jpg" data-mid="241291007" border="0" alt="Overall Mother Isis Prince in the 'New order: Transvestite futurism' kiki-ball by House of Prince" data-caption="Overall Mother Isis Prince in the 'New order: Transvestite futurism' kiki-ball by House of Prince" src="https://freight.cargo.site/w/683/i/37d079bf5ceb7393866c8c6accac5baf975249715767826f59afe440df2e5e0c/registro-subsuelo-2024---Johana-morales-236.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/e591dba6e25fe0c8ee50c7ad6cb506face4a5c023e0b6a3e891350aa9e41e608/registro-subsuelo-2024---Johana-morales-255.jpg" data-mid="241251023" border="0" alt="Mother Barbie Brava in the 'New order:transvestite futurism' kiki-ball by House of Prince" data-caption="Mother Barbie Brava in the 'New order:transvestite futurism' kiki-ball by House of Prince" src="https://freight.cargo.site/w/683/i/e591dba6e25fe0c8ee50c7ad6cb506face4a5c023e0b6a3e891350aa9e41e608/registro-subsuelo-2024---Johana-morales-255.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/23859bc1d4a53696030712fb8bfbf2b00f2a19c1d1ac331f827a916468c71874/registro-subsuelo-2024---Johana-morales-192.jpg" data-mid="241251021" border="0" alt="Party photo documentation by Johanna Morales" data-caption="Party photo documentation by Johanna Morales" src="https://freight.cargo.site/w/683/i/23859bc1d4a53696030712fb8bfbf2b00f2a19c1d1ac331f827a916468c71874/registro-subsuelo-2024---Johana-morales-192.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/20dc321e30a6bb1f4726ed175a512c2618919722b2340eae2a5e9f2a7f722972/registro-subsuelo-2024---Johana-morales-194.jpg" data-mid="241291013" border="0" alt="CARLY CORE singing their new theme as part of their djset for Subsuelo party" data-caption="CARLY CORE singing their new theme as part of their djset for Subsuelo party" src="https://freight.cargo.site/w/683/i/20dc321e30a6bb1f4726ed175a512c2618919722b2340eae2a5e9f2a7f722972/registro-subsuelo-2024---Johana-morales-194.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/f61707de3af03ea98f45363b87eb70271e200ac55b91fee8251c54fff67c85c5/registro-subsuelo-2024---Johana-morales-145.jpg" data-mid="241251016" border="0" alt="Aldahir from Wari Studio at his fair stand" data-caption="Aldahir from Wari Studio at his fair stand" src="https://freight.cargo.site/w/683/i/f61707de3af03ea98f45363b87eb70271e200ac55b91fee8251c54fff67c85c5/registro-subsuelo-2024---Johana-morales-145.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/f3da7ea0e8ebe04e08ac8eb38f397828240e211b3f581f12cff2810124cdf6d7/registro-subsuelo-2024---Johana-morales-091.jpg" data-mid="241291016" border="0" alt="Luana Guerra performing 'Sucedio en el Peru' alongside BPM" data-caption="Luana Guerra performing 'Sucedio en el Peru' alongside BPM" src="https://freight.cargo.site/w/683/i/f3da7ea0e8ebe04e08ac8eb38f397828240e211b3f581f12cff2810124cdf6d7/registro-subsuelo-2024---Johana-morales-091.jpg" /> <img width="683" height="1024" width_o="683" height_o="1024" data-src="https://freight.cargo.site/t/original/i/089883f48c31e69eff7f25be6d30ae2ac1bf3e9223707ae2e0755ee1e9911036/registro-subsuelo-2024---Johana-morales-113.jpg" data-mid="241251014" border="0" alt="Portrait of Jose Carlos Flores in drag, moments before their performance by Johanna Morales." data-caption="Portrait of Jose Carlos Flores in drag, moments before their performance by Johanna Morales." src="https://freight.cargo.site/w/683/i/089883f48c31e69eff7f25be6d30ae2ac1bf3e9223707ae2e0755ee1e9911036/registro-subsuelo-2024---Johana-morales-113.jpg" /> Subsuelo: Seismic skins~ Almost a party, an encounter of bodies and materialities Subsuelo was an extended happening that unfolded as an arts festival. It came to life in its second edition through an extensive collaborative process of research and creation. Under the title Seismic Skins, participating artists were invited to reimagine the telluric layers of the earth in relation to the skins and identities that shape our subjectivity as a species. This fictional proposal led some artists to twist Andean messianic patriarchal narratives to reimagine the life, land, labor, and time we share. <img width="3024" height="1698" width_o="3024" height_o="1698" data-src="https://freight.cargo.site/t/original/i/d520a2c7a0c1170397e24a82fe874e11ae4ad321fcd6dcc00d19b1ed1e0dac6f/Captura-de-pantalla-2025-12-01-a-las-12.00.19a.m..png" data-mid="241251036" border="0" src="https://freight.cargo.site/w/1000/i/d520a2c7a0c1170397e24a82fe874e11ae4ad321fcd6dcc00d19b1ed1e0dac6f/Captura-de-pantalla-2025-12-01-a-las-12.00.19a.m..png" /> <img width="3024" height="1698" width_o="3024" height_o="1698" data-src="https://freight.cargo.site/t/original/i/c63c23d3d041af672b15d50c6dd0968288a7a76d780970f9aa56c3e40dab1653/Captura-de-pantalla-2025-11-30-a-las-11.59.57p.m..png" data-mid="241251037" border="0" src="https://freight.cargo.site/w/1000/i/c63c23d3d041af672b15d50c6dd0968288a7a76d780970f9aa56c3e40dab1653/Captura-de-pantalla-2025-11-30-a-las-11.59.57p.m..png" /> Aiming to collectivize the construction of this experience and to institute a space that brings us together, we organized a collaborative creative writing session with participants from the first edition of Subsuelo to develop the narrative structure that guided this new iteration. The exercise involved creating three exquisite corpses, each inspired by a specific prompt: imagining foundational myths, reflecting on a seismic event, and incorporating one of the three most erotic experiences previously shared by the group. To conclude the session, the authors of each erotic experience —Brisa, Alda, and Salo— were commissioned to rewrite the texts and to cut through time and history by inventing three mythologies about the past, present, and future. These chronotopies challenged social conditionings related to race, gender, and class, enabling a space of infrastructural leakage. From these narratives, other participants developed new artworks, and together with the text authors, we co-created a docufiction short film that linked the chronotopies with the Andean foundational myth of Inkarri —the sleeping Inca revolutionary destined to return from death to bring justice to the world. <img width="1328" height="994" width_o="1328" height_o="994" data-src="https://freight.cargo.site/t/original/i/6e69ceb5f8e23d30fdc729121808861d68d20c172d7ace2e8c037f879f580bbb/Presentacion-Mitos-Subsuelo-2024--1.jpeg" data-mid="241292755" border="0" alt="'Sana, sana, colita de rana...', collective writing expirience conducted along with Jaime Prada for the narrative structure of Subsuelo: Seismic Skins edition. " data-caption="'Sana, sana, colita de rana...', collective writing expirience conducted along with Jaime Prada for the narrative structure of Subsuelo: Seismic Skins edition. " src="https://freight.cargo.site/w/1000/i/6e69ceb5f8e23d30fdc729121808861d68d20c172d7ace2e8c037f879f580bbb/Presentacion-Mitos-Subsuelo-2024--1.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e6e1b36346e35328cc7f433f51412419071dc7243b1f0629fe845c2fdd52bd1e/IMG_7493.jpeg" data-mid="241291490" border="0" alt="Folded flyer featuring the three myths written by La Alda, Brisa Fern&aacute;ndez, and Salo Tomoe, along with a comic strip by Estado de Limbo inspired by those myths" data-caption="Folded flyer featuring the three myths written by La Alda, Brisa Fernández, and Salo Tomoe, along with a comic strip by Estado de Limbo inspired by those myths" src="https://freight.cargo.site/w/1000/i/e6e1b36346e35328cc7f433f51412419071dc7243b1f0629fe845c2fdd52bd1e/IMG_7493.jpeg" /> <img width="3432" height="2571" width_o="3432" height_o="2571" data-src="https://freight.cargo.site/t/original/i/dbd9061bafc8ce5182fca1a093423b910fd0ec1844865b8e87071956033a25ea/IMG_7501.jpeg" data-mid="241291644" border="0" alt="Folded flyer featuring the three myths written by La Alda, Brisa Fern&aacute;ndez, and Salo Tomoe, along with a comic strip by Estado de Limbo inspired by those myths" data-caption="Folded flyer featuring the three myths written by La Alda, Brisa Fernández, and Salo Tomoe, along with a comic strip by Estado de Limbo inspired by those myths" src="https://freight.cargo.site/w/1000/i/dbd9061bafc8ce5182fca1a093423b910fd0ec1844865b8e87071956033a25ea/IMG_7501.jpeg" /> <img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/4a0a71d7140c38cc601d6e3e80e750047ad0bed43ad01505186dadfca0b80051/IMG_7504.jpeg" data-mid="241291494" border="0" alt="Folded flyer featuring the three myths written by La Alda, Brisa Fern&aacute;ndez, and Salo Tomoe, along with a comic strip by Estado de Limbo inspired by those myths" data-caption="Folded flyer featuring the three myths written by La Alda, Brisa Fernández, and Salo Tomoe, along with a comic strip by Estado de Limbo inspired by those myths" src="https://freight.cargo.site/w/1000/i/4a0a71d7140c38cc601d6e3e80e750047ad0bed43ad01505186dadfca0b80051/IMG_7504.jpeg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/e0d7aeeae90208ed7c110bd69860d75d94230788127631c867dfa6cbf903b408/registro-subsuelo-2024--Jose-Carlos-Flores-116.jpg" data-mid="241250978" border="0" alt="'Sucedi&oacute; en el Peru', 4 channel short film, 11&rsquo;46&rdquo;, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." data-caption="'Sucedió en el Peru', 4 channel short film, 11’46”, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." src="https://freight.cargo.site/w/1000/i/e0d7aeeae90208ed7c110bd69860d75d94230788127631c867dfa6cbf903b408/registro-subsuelo-2024--Jose-Carlos-Flores-116.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/054a643e1bf162a45c43c3fa05c7831bb53cb3855703ca34c29279d80f6d6abf/registro-subsuelo-2024--Jose-Carlos-Flores-113.jpg" data-mid="241250976" border="0" alt="'Sucedi&oacute; en el Peru', 4 channel short film, 11&rsquo;46&rdquo;, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." data-caption="'Sucedió en el Peru', 4 channel short film, 11’46”, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." src="https://freight.cargo.site/w/1000/i/054a643e1bf162a45c43c3fa05c7831bb53cb3855703ca34c29279d80f6d6abf/registro-subsuelo-2024--Jose-Carlos-Flores-113.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/3af8135247e3aa78cd3b60808f429a49e30d5439ec749e29792d40da491d8a0b/registro-subsuelo-2024--Jose-Carlos-Flores-123.jpg" data-mid="241250981" border="0" alt="'Sucedi&oacute; en el Peru', 4 channel short film, 11&rsquo;46&rdquo;, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." data-caption="'Sucedió en el Peru', 4 channel short film, 11’46”, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." src="https://freight.cargo.site/w/1000/i/3af8135247e3aa78cd3b60808f429a49e30d5439ec749e29792d40da491d8a0b/registro-subsuelo-2024--Jose-Carlos-Flores-123.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/7a8614673ff7bde3518e9ec281f54e9aba1b83a70cb3d56a52a20d8bdc603bae/registro-subsuelo-2024--Jose-Carlos-Flores-125.jpg" data-mid="241250982" border="0" alt="'Sucedi&oacute; en el Peru', 4 channel short film, 11&rsquo;46&rdquo;, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." data-caption="'Sucedió en el Peru', 4 channel short film, 11’46”, 2024. Original idea: Brisa Fernandez &amp; Chris Luza / Directed by: Jaime Prada &amp; Chris Luza / Produced by: Nicoletta Bettochi &amp; Jaime Prada / Script by: Alda Bernaola &amp; Jaime Prada / Photography: Belemba Romero / Cast: Salo Tomoe, Viktoria Rios, Alda Bernaola, Gahela Cari, Gonza, Chris Vargas, Euner Akintu / Styling: Valeria Ramos, Nicoletta Bettochi, Jose Carlos Flores &amp; Jaime Prada / Make-up: Sofia Flores / Production assistants: Luana Guerra, Aoki Delgado &amp; Chobi." src="https://freight.cargo.site/w/1000/i/7a8614673ff7bde3518e9ec281f54e9aba1b83a70cb3d56a52a20d8bdc603bae/registro-subsuelo-2024--Jose-Carlos-Flores-125.jpg" /> Likewise, the telluric imagery of the Peruvian Andes and the mythical figure of Inkarri inevitably evoked the revolutionary mestizo leader of the 18th-century independence movement, Túpac Amaru. Since then, Túpac Amaru has been considered a popular idol of justice, yet his image remains entangled with representations of terror and death, echoing the deep colonial contradictions that continue to shape Peruvian society. <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/67eef5bd35330238800418e30ef75d6873c31f1dc756ade4528bf188c0c0527d/registro-subsuelo-2024--Jose-Carlos-Flores-45.jpg" data-mid="241250973" border="0" alt="Installation view of Javi Vargas's 'Taki Onqoy. Chuquichinchay y la mala muerte' (2021) alongside Isaac Ernesto's 'Tupac Amaru es Dios' (2024)" data-caption="Installation view of Javi Vargas's 'Taki Onqoy. Chuquichinchay y la mala muerte' (2021) alongside Isaac Ernesto's 'Tupac Amaru es Dios' (2024)" src="https://freight.cargo.site/w/1000/i/67eef5bd35330238800418e30ef75d6873c31f1dc756ade4528bf188c0c0527d/registro-subsuelo-2024--Jose-Carlos-Flores-45.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/656990476508bde48b4d3cfa2372cafd7d192db99d075b26975bc60d8ac06a41/registro-subsuelo-2024--Jose-Carlos-Flores-64.jpg" data-mid="241250975" border="0" alt="Installation view of 'Tupac Amaru es Dios' by Isaac Ernesto. Inkjet, acrylic, red ink and graphite on 21 paper sheets of 29.7 &times; 21 cm each. (2024)" data-caption="Installation view of 'Tupac Amaru es Dios' by Isaac Ernesto. Inkjet, acrylic, red ink and graphite on 21 paper sheets of 29.7 × 21 cm each. (2024)" src="https://freight.cargo.site/w/1000/i/656990476508bde48b4d3cfa2372cafd7d192db99d075b26975bc60d8ac06a41/registro-subsuelo-2024--Jose-Carlos-Flores-64.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/ef721ce9871658d27b1efcb74f8d62bee9a4e7891fda14a0051137bb3003d09c/registro-subsuelo-2024--Jose-Carlos-Flores-51.jpg" data-mid="241250974" border="0" alt="Detail of 'Taqui onkoy, Chuquichinchay y la mala muerte' by Javi Vargas. Ink and oil pastels on primed wood, 120 x 120 cm. (2021)" data-caption="Detail of 'Taqui onkoy, Chuquichinchay y la mala muerte' by Javi Vargas. Ink and oil pastels on primed wood, 120 x 120 cm. (2021)" src="https://freight.cargo.site/w/1000/i/ef721ce9871658d27b1efcb74f8d62bee9a4e7891fda14a0051137bb3003d09c/registro-subsuelo-2024--Jose-Carlos-Flores-51.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/5f8fcb10f1622294eaeab99f4ad215aa4084ac81532fbc0426258dfe72c0706a/registro-subsuelo-2024--Jose-Carlos-Flores-61.jpg" data-mid="241250996" border="0" alt="Installation view of 'Tupac Amaru es Dios' by Isaac Ernesto. Inkjet, acrylic, red ink and graphite on 21 paper sheets of 29.7 &times; 21 cm each. (2024)" data-caption="Installation view of 'Tupac Amaru es Dios' by Isaac Ernesto. Inkjet, acrylic, red ink and graphite on 21 paper sheets of 29.7 × 21 cm each. (2024)" src="https://freight.cargo.site/w/1000/i/5f8fcb10f1622294eaeab99f4ad215aa4084ac81532fbc0426258dfe72c0706a/registro-subsuelo-2024--Jose-Carlos-Flores-61.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/6a3cf5da776c8ba02e4687b4b195804084a8a66dcc35552cc391668507e712ff/registro-subsuelo-2024--Jose-Carlos-Flores-50.jpg" data-mid="241292112" border="0" alt="Detail of 'Taqui onkoy, Chuquichinchay y la mala muerte' by Javi Vargas. Ink and oil pastels on primed wood, 120 x 120 cm. (2021)" data-caption="Detail of 'Taqui onkoy, Chuquichinchay y la mala muerte' by Javi Vargas. Ink and oil pastels on primed wood, 120 x 120 cm. (2021)" src="https://freight.cargo.site/w/1000/i/6a3cf5da776c8ba02e4687b4b195804084a8a66dcc35552cc391668507e712ff/registro-subsuelo-2024--Jose-Carlos-Flores-50.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/89b7542971a7a884396281652ceddfef956615ed53cad8634a53391916b1564f/registro-subsuelo-2024---Johana-morales-029.jpg" data-mid="241251006" border="0" alt="Walter Humala live in an acoustic set" data-caption="Walter Humala live in an acoustic set" src="https://freight.cargo.site/w/1000/i/89b7542971a7a884396281652ceddfef956615ed53cad8634a53391916b1564f/registro-subsuelo-2024---Johana-morales-029.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/a29e711ac99dc03108a14c211dc536f52a100db4081201782396c4ceed9df44a/registro-subsuelo-2024---Johana-morales-049.jpg" data-mid="241299844" border="0" alt="'Cumbia trans' feat Dj Kassandra" data-caption="'Cumbia trans' feat Dj Kassandra" src="https://freight.cargo.site/w/1000/i/a29e711ac99dc03108a14c211dc536f52a100db4081201782396c4ceed9df44a/registro-subsuelo-2024---Johana-morales-049.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/4457323e951d05eb982df15f43f7c0942b536bdc241b368f4c520b68a146a3da/registro-subsuelo-2024---Johana-morales-041.jpg" data-mid="241672155" border="0" alt="Farrah, feminist rapper singing at the close of the first day of Subsuelo activities" data-caption="Farrah, feminist rapper singing at the close of the first day of Subsuelo activities" src="https://freight.cargo.site/w/1000/i/4457323e951d05eb982df15f43f7c0942b536bdc241b368f4c520b68a146a3da/registro-subsuelo-2024---Johana-morales-041.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/acf529ccd4ae3b8baaa51549bd087100dac36535e1179ef8edfda50e7ace646e/registro-subsuelo-2024---Johana-morales-036.jpg" data-mid="241672154" border="0" alt="Karolinativa afrofeminist rapper singing at the close of the first day of Subsuelo activities" data-caption="Karolinativa afrofeminist rapper singing at the close of the first day of Subsuelo activities" src="https://freight.cargo.site/w/1000/i/acf529ccd4ae3b8baaa51549bd087100dac36535e1179ef8edfda50e7ace646e/registro-subsuelo-2024---Johana-morales-036.jpg" /> Subsuelo: Seismic Skins was, therefore, a durational materialization exercise that brought together artists and cultural practitioners from different trajectories, prioritizing communities of racialized and sexual &amp; gender diversities within the local context. Through a varied public program including concerts, performances, screenings, an entrepreneurship fair, exhibitions, a fashion show, and a kiki ball, the seismic imaginaries of the Peruvian territory were evoked to fictionalize multiple futures and address the complexities behind messianic narratives of salvation from dissident political standpoints. Subsuelo was collectively organized by Chris Luza and Jaime Prada, with the support of Proyectoamil and the invaluable effort, kindness, and vitality of all the participants and workers involved in the process. The participants of this expirience were: Alda Bernaola, Almendra Otta, Almudena Jeri, Alza el Vuelo Ediciones, Anacrónica, Área, Arturo Dávila, Astrotrans, Aure Velasquez, Azules Somos, Berto Prieto, Brisa Fernandez, Canino Latino, Canto Villano, Carita de Vago, Carlycore, Chris Luza, Claudix Vanessix, Colectivo Itsutsu, Creas Films, Cumbia Trans, DJ Kassandra, Estado de Limbo, Eoz, Farrah, Fiorella Terrazas, Fran Florian, Germa Machuca, Glossy Makeup, Green Gemini, Holy Drako, House of Prince, Isaac Ernesto, Isis Prince, Jaime Prada, Javi Vargas, Jinete sin Cabeza, José Carlos Flores, Kabuki Pistolas, Karolinativa, Kiana Romero, La Chusma, Le Rare, Linda BB, Lituya Studio, Los Números de Ale, Luana Guerra, María Cristina Salgado, Maje Mauri, Mariel con Botas, Marita Rodríguez, Mica Lundfar, Ministerio Transexual, Naif Rolande, Perverso Ediciones, Petaka, Piero Tatts, Raúl Rustoy, Renata Aranibar, Rafsp Peruano, Rubiane Maia, ROVI, Sailor Planta, Saló Tomoe, Sandra aka. Polisha, Serena Morena, Sergio Zevallos, Shañu, Tarot Consciente, Tsunami Press, Tosco Perfumes, Vichos, Victoria Ríos, Walter Humala, Wincy Oyarce, Zoe G. Serrano. <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/61a033b945d04691a1116052cc4ee4f4be7015c2cdcdd725ecf50ad4d6228dff/registro-subsuelo-2024---Johana-morales-100.jpg" data-mid="241251012" border="0" alt="Canto Villano live set performance featuring visuals by Maje Maury" data-caption="Canto Villano live set performance featuring visuals by Maje Maury" src="https://freight.cargo.site/w/1000/i/61a033b945d04691a1116052cc4ee4f4be7015c2cdcdd725ecf50ad4d6228dff/registro-subsuelo-2024---Johana-morales-100.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/c28c0f33363956879cc3ff3d78c40af7310ae25dff476c5044992c4436db9df4/registro-subsuelo-2024---Johana-morales-102.jpg" data-mid="241251013" border="0" alt="Canto Villano live set performance featuring visuals by Maje Maury" data-caption="Canto Villano live set performance featuring visuals by Maje Maury" src="https://freight.cargo.site/w/1000/i/c28c0f33363956879cc3ff3d78c40af7310ae25dff476c5044992c4436db9df4/registro-subsuelo-2024---Johana-morales-102.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/a4751edf90f345a986fa5a0cb1c11a1be1275b7fb88dc0fc14049f6d17d49858/registro-subsuelo-2024---Johana-morales-283.jpg" data-mid="241251025" border="0" alt="Visuals by Maje Maury for 'Nuevo Orden: Futurismo Travesti' Kiki-Ball, presented by House of Prince" data-caption="Visuals by Maje Maury for 'Nuevo Orden: Futurismo Travesti' Kiki-Ball, presented by House of Prince" src="https://freight.cargo.site/w/1000/i/a4751edf90f345a986fa5a0cb1c11a1be1275b7fb88dc0fc14049f6d17d49858/registro-subsuelo-2024---Johana-morales-283.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/188011a1fbe9c16244fcdec73f29f721834a2d41e560a083bad385e7006f36db/registro-subsuelo-2024---Johana-morales-006.jpg" data-mid="241250998" border="0" alt="&quot;Serie 001&quot; fashion runway by Zoe G Serrano" data-caption="&quot;Serie 001&quot; fashion runway by Zoe G Serrano" src="https://freight.cargo.site/w/1000/i/188011a1fbe9c16244fcdec73f29f721834a2d41e560a083bad385e7006f36db/registro-subsuelo-2024---Johana-morales-006.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/c12399942f9539d0e97bcf5503d17bd558ecd620fffbd926668bf509a9ce978e/registro-subsuelo-2024---Johana-morales-010.jpg" data-mid="241250999" border="0" alt="&quot;Serie 001&quot; fashion runway by Zoe G Serrano. Models: ROVI, Fran Camarena and Cris Vargas" data-caption="&quot;Serie 001&quot; fashion runway by Zoe G Serrano. Models: ROVI, Fran Camarena and Cris Vargas" src="https://freight.cargo.site/w/1000/i/c12399942f9539d0e97bcf5503d17bd558ecd620fffbd926668bf509a9ce978e/registro-subsuelo-2024---Johana-morales-010.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/d676ad6eb479d5e872f8fa19d2ac988ac7168feddbaa913a33f42de7149d084c/registro-subsuelo-2024---Johana-morales-081.jpg" data-mid="241251007" border="0" alt="Aure Vel&aacute;squez &amp; Naif Rolande performing an interpretation of Subsuelo&rsquo;s myth, mentored by Germa Machuca." data-caption="Aure Velásquez &amp; Naif Rolande performing an interpretation of Subsuelo’s myth, mentored by Germa Machuca." src="https://freight.cargo.site/w/1000/i/d676ad6eb479d5e872f8fa19d2ac988ac7168feddbaa913a33f42de7149d084c/registro-subsuelo-2024---Johana-morales-081.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/b961cd734f4993c90ef7f0a6b3041cbf0afe23049ed8ba3487e66dafdb4f70f0/registro-subsuelo-2024---Johana-morales-083.jpg" data-mid="241251008" border="0" alt="Aure Vel&aacute;squez &amp; Naif Rolande performing an interpretation of Subsuelo&rsquo;s myth, mentored by Germa Machuca." data-caption="Aure Velásquez &amp; Naif Rolande performing an interpretation of Subsuelo’s myth, mentored by Germa Machuca." src="https://freight.cargo.site/w/1000/i/b961cd734f4993c90ef7f0a6b3041cbf0afe23049ed8ba3487e66dafdb4f70f0/registro-subsuelo-2024---Johana-morales-083.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/f913689e9d99a0a822e8f2c46192a1db6475fc843c9904eda76d9323e20e0664/registro-subsuelo-2024---Johana-morales-088.jpg" data-mid="241251009" border="0" alt="Luana Guerra &amp; BPM performing Sucedi&oacute; en el Per&uacute;, inspired by the three myths written for Subsuelo, mentored by Germa Machuca" data-caption="Luana Guerra &amp; BPM performing Sucedió en el Perú, inspired by the three myths written for Subsuelo, mentored by Germa Machuca" src="https://freight.cargo.site/w/1000/i/f913689e9d99a0a822e8f2c46192a1db6475fc843c9904eda76d9323e20e0664/registro-subsuelo-2024---Johana-morales-088.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/56d0179fe848c2bed00c4f7454519fcbed077d4670773cf6d271c5d123c0834c/registro-subsuelo-2024---Johana-morales-093.jpg" data-mid="241251011" border="0" alt="Luana Guerra &amp; BPM performing Sucedi&oacute; en el Per&uacute;, inspired by the three myths written for Subsuelo, mentored by Germa Machuca" data-caption="Luana Guerra &amp; BPM performing Sucedió en el Perú, inspired by the three myths written for Subsuelo, mentored by Germa Machuca" src="https://freight.cargo.site/w/1000/i/56d0179fe848c2bed00c4f7454519fcbed077d4670773cf6d271c5d123c0834c/registro-subsuelo-2024---Johana-morales-093.jpg" /> <img width="1170" height="1315" width_o="1170" height_o="1315" data-src="https://freight.cargo.site/t/original/i/1f5692ea4084b0238673e0871d748d0fcdf21b9cfb169efedf39b4700629f42c/IMG_BE8F877D50F2-1.jpeg" data-mid="241300549" border="0" alt="Jose Carlos Flores &amp; Kiana Romero performing Sucedi&oacute; en el Per&uacute;, inspired by the three myths written for Subsuelo, mentored by Germa Machuca" data-caption="Jose Carlos Flores &amp; Kiana Romero performing Sucedió en el Perú, inspired by the three myths written for Subsuelo, mentored by Germa Machuca" src="https://freight.cargo.site/w/1000/i/1f5692ea4084b0238673e0871d748d0fcdf21b9cfb169efedf39b4700629f42c/IMG_BE8F877D50F2-1.jpeg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/10a6896500a47040eac3b51bb7ed2cf0e6018cd3b63772ed435693eedece953b/registro-subsuelo-2024---Johana-morales-272.jpg" data-mid="241251024" border="0" alt="Sally Prince featured in Nuevo Orden: Futurismo Travesti Kiki-Ball presented by House of Prince" data-caption="Sally Prince featured in Nuevo Orden: Futurismo Travesti Kiki-Ball presented by House of Prince" src="https://freight.cargo.site/w/1000/i/10a6896500a47040eac3b51bb7ed2cf0e6018cd3b63772ed435693eedece953b/registro-subsuelo-2024---Johana-morales-272.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/15c31a09a720fa06a087cd1202b79d47d77ce34caf3a5afce2edf202678b970f/registro-subsuelo-2024---Johana-morales-198.jpg" data-mid="241251022" border="0" alt="DJ set by Carly Core feat. EOZ" data-caption="DJ set by Carly Core feat. EOZ" src="https://freight.cargo.site/w/1000/i/15c31a09a720fa06a087cd1202b79d47d77ce34caf3a5afce2edf202678b970f/registro-subsuelo-2024---Johana-morales-198.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/8fee77735fb6dff210f49b6f01f9b5e43a6552c86f9839162d97357339f4ce3c/registro-subsuelo-2024---Johana-morales-183.jpg" data-mid="241251020" border="0" alt="DJ set by Carly Core feat. EOZ" data-caption="DJ set by Carly Core feat. EOZ" src="https://freight.cargo.site/w/1000/i/8fee77735fb6dff210f49b6f01f9b5e43a6552c86f9839162d97357339f4ce3c/registro-subsuelo-2024---Johana-morales-183.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/b659e1d13966fcec28a28c9221af5cbe8c832534f624207065882b8bd840b57f/registro-subsuelo-2024---Johana-morales-141.jpg" data-mid="241251015" border="0" alt="Sandra aka Polisha&rsquo;s merch featured at the entrepreneurship fair" data-caption="Sandra aka Polisha’s merch featured at the entrepreneurship fair" src="https://freight.cargo.site/w/1000/i/b659e1d13966fcec28a28c9221af5cbe8c832534f624207065882b8bd840b57f/registro-subsuelo-2024---Johana-morales-141.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/81556a38ee701e6ef0240d2e41560480dcd293637da4aca79894bdde2a84a466/registro-subsuelo-2024---Johana-morales-155.jpg" data-mid="241251078" border="0" alt="Yen Plascencia's merch featured at the entrepreneurship fair" data-caption="Yen Plascencia's merch featured at the entrepreneurship fair" src="https://freight.cargo.site/w/1000/i/81556a38ee701e6ef0240d2e41560480dcd293637da4aca79894bdde2a84a466/registro-subsuelo-2024---Johana-morales-155.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/a51788c4bdf154b51786e02a8501a38c83e74058cdd5a4d171c47da19d8ae9eb/registro-subsuelo-2024---Johana-morales-139.jpg" data-mid="241251077" border="0" alt="Merch by PDC &mdash; Positivo de Coraz&oacute;n (HIV+ collective) &mdash; featured at the entrepreneurship fair" data-caption="Merch by PDC — Positivo de Corazón (HIV+ collective) — featured at the entrepreneurship fair" src="https://freight.cargo.site/w/1000/i/a51788c4bdf154b51786e02a8501a38c83e74058cdd5a4d171c47da19d8ae9eb/registro-subsuelo-2024---Johana-morales-139.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/029bed76ff840c1e40d3ef21e571ccad72ede52960bf87f88550887f1ccac255/registro-subsuelo-2024---Johana-morales-132.jpg" data-mid="241251076" border="0" alt="Vicky R&iacute;os showcasing her brand La Chusma at the entrepreneurship fair" data-caption="Vicky Ríos showcasing her brand La Chusma at the entrepreneurship fair" src="https://freight.cargo.site/w/1000/i/029bed76ff840c1e40d3ef21e571ccad72ede52960bf87f88550887f1ccac255/registro-subsuelo-2024---Johana-morales-132.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/182a63c73f96f57f36469ffe36425aaa81918e94b33864baa585b86040b53aaf/registro-subsuelo-2024--Jose-Carlos-Flores-11.jpg" data-mid="241250992" border="0" alt="'Katatay' diptych of backlit prints in lightboxes by Holy Drako, 100 &times; 70 cm each, 2024." data-caption="'Katatay' diptych of backlit prints in lightboxes by Holy Drako, 100 × 70 cm each, 2024." src="https://freight.cargo.site/w/1000/i/182a63c73f96f57f36469ffe36425aaa81918e94b33864baa585b86040b53aaf/registro-subsuelo-2024--Jose-Carlos-Flores-11.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/029766fc6b41840db9df7f94abe77f7a261f978d068a1d0347a6913d8c09488b/registro-subsuelo-2024--Jose-Carlos-Flores-12.jpg" data-mid="241250993" border="0" alt="'Katatay' diptych of backlit prints in lightboxes by Holy Drako, 100 &times; 70 cm each, 2024." data-caption="'Katatay' diptych of backlit prints in lightboxes by Holy Drako, 100 × 70 cm each, 2024." src="https://freight.cargo.site/w/1000/i/029766fc6b41840db9df7f94abe77f7a261f978d068a1d0347a6913d8c09488b/registro-subsuelo-2024--Jose-Carlos-Flores-12.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/7eb0093c910e49bb5b4dc1ba73a7550c567a3965cf79315e668f3121903a1e5e/registro-subsuelo-2024--Jose-Carlos-Flores-085.jpg" data-mid="241250986" border="0" alt="Screening of 1970s short films exploring land ownership, curated by Almendra Otta." data-caption="Screening of 1970s short films exploring land ownership, curated by Almendra Otta." src="https://freight.cargo.site/w/1000/i/7eb0093c910e49bb5b4dc1ba73a7550c567a3965cf79315e668f3121903a1e5e/registro-subsuelo-2024--Jose-Carlos-Flores-085.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/926debe57b880cb9a6ec33ed97174400d3770a0358c1aeb77c5be49cc91fca01/registro-subsuelo-2024--Jose-Carlos-Flores-087.jpg" data-mid="241250987" border="0" alt="Screening of 1970s short films exploring land ownership, curated by Almendra Otta." data-caption="Screening of 1970s short films exploring land ownership, curated by Almendra Otta." src="https://freight.cargo.site/w/1000/i/926debe57b880cb9a6ec33ed97174400d3770a0358c1aeb77c5be49cc91fca01/registro-subsuelo-2024--Jose-Carlos-Flores-087.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/ed0ad81ca22443ff58ea28048c626b111209194ef4e0da1cf7aae696df6a06a7/registro-subsuelo-2024---Johana-morales-179.jpg" data-mid="241251019" border="0" alt="Screening of Tan inmunda y tan feliz, a documentary about the iconic transvestite artist Hija de Perra, written and directed by Wincy Oyarce." data-caption="Screening of Tan inmunda y tan feliz, a documentary about the iconic transvestite artist Hija de Perra, written and directed by Wincy Oyarce." src="https://freight.cargo.site/w/1000/i/ed0ad81ca22443ff58ea28048c626b111209194ef4e0da1cf7aae696df6a06a7/registro-subsuelo-2024---Johana-morales-179.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/4b204f7ef16bdd274fd4e6b1264a047a12a76ba556ed4a82927698b8a4162632/registro-subsuelo-2024--Jose-Carlos-Flores-41.jpg" data-mid="241292315" border="0" alt="Still from the short film by Kiana Romero, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." data-caption="Still from the short film by Kiana Romero, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." src="https://freight.cargo.site/w/1000/i/4b204f7ef16bdd274fd4e6b1264a047a12a76ba556ed4a82927698b8a4162632/registro-subsuelo-2024--Jose-Carlos-Flores-41.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/1cd066b90b7babb04ce45b1163bfdde33a3f6f1a291e065ee84269dd9edd8c68/registro-subsuelo-2024--Jose-Carlos-Flores-31.jpg" data-mid="241250989" border="0" alt="Still from the short film by Aure Velasquez, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." data-caption="Still from the short film by Aure Velasquez, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." src="https://freight.cargo.site/w/1000/i/1cd066b90b7babb04ce45b1163bfdde33a3f6f1a291e065ee84269dd9edd8c68/registro-subsuelo-2024--Jose-Carlos-Flores-31.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/f986e35e1c3b69dc7514e3981f5a0e45ffa86dbcc2861b0864c86a259a003921/registro-subsuelo-2024--Jose-Carlos-Flores-37.jpg" data-mid="241250991" border="0" alt="Still from the short film by BPM, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." data-caption="Still from the short film by BPM, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." src="https://freight.cargo.site/w/1000/i/f986e35e1c3b69dc7514e3981f5a0e45ffa86dbcc2861b0864c86a259a003921/registro-subsuelo-2024--Jose-Carlos-Flores-37.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/2d9847223f045fd2da87b30617436449ee7a81720084684e176ad42c994122e1/registro-subsuelo-2024--Jose-Carlos-Flores-27.jpg" data-mid="241250988" border="0" alt="Still from the short film by Jose Carlos Flores, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." data-caption="Still from the short film by Jose Carlos Flores, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." src="https://freight.cargo.site/w/1000/i/2d9847223f045fd2da87b30617436449ee7a81720084684e176ad42c994122e1/registro-subsuelo-2024--Jose-Carlos-Flores-27.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/f0ab216967bd1601fc7a4d66324a6590fa24afacae83a98a1c9f17436238a6ac/registro-subsuelo-2024---Johana-morales-078.jpg" data-mid="241251075" border="0" alt="Party documentation by Johanna Morales" data-caption="Party documentation by Johanna Morales" src="https://freight.cargo.site/w/1000/i/f0ab216967bd1601fc7a4d66324a6590fa24afacae83a98a1c9f17436238a6ac/registro-subsuelo-2024---Johana-morales-078.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/09dcd21cae1d3db181a4c1b06efe5e2b3deafc599e723b36e6ec7179d4588f4e/registro-subsuelo-2024--Jose-Carlos-Flores-32.jpg" data-mid="241250990" border="0" alt="Still from the short film by Naif Rolande, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." data-caption="Still from the short film by Naif Rolande, created within the workshop led by Rubiane Maia in the context of Subsuelo: Seismic Skins edition." src="https://freight.cargo.site/w/1000/i/09dcd21cae1d3db181a4c1b06efe5e2b3deafc599e723b36e6ec7179d4588f4e/registro-subsuelo-2024--Jose-Carlos-Flores-32.jpg" /> <img width="3022" height="1700" width_o="3022" height_o="1700" data-src="https://freight.cargo.site/t/original/i/feb78c2cf97c91b4491b7409ea5336811b6f18b6c4853b3b6236471861390d6a/Captura-de-pantalla-2025-12-01-a-las-5.10.16p.m..png" data-mid="241292367" border="0" alt="'Ovni', alluminium discoball with mirror applications by Chris Luza, 250cm x 250cm x 55cm. 2024 " data-caption="'Ovni', alluminium discoball with mirror applications by Chris Luza, 250cm x 250cm x 55cm. 2024 " src="https://freight.cargo.site/w/1000/i/feb78c2cf97c91b4491b7409ea5336811b6f18b6c4853b3b6236471861390d6a/Captura-de-pantalla-2025-12-01-a-las-5.10.16p.m..png" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/17861910ae1a4f81bb1ec8462ffedc51ae2f899f84e5b8f9e9b1c8eaeaae4127/registro-subsuelo-2024--Jose-Carlos-Flores-10.jpg" data-mid="241250969" border="0" alt="Javi Varga's 'Tupis' installed on the frontis of proyectoamil" data-caption="Javi Varga's 'Tupis' installed on the frontis of proyectoamil" src="https://freight.cargo.site/w/1000/i/17861910ae1a4f81bb1ec8462ffedc51ae2f899f84e5b8f9e9b1c8eaeaae4127/registro-subsuelo-2024--Jose-Carlos-Flores-10.jpg" /> <img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/68f38db5fac51ee7429c71ee8461329a539d42c944d1da575645483c8e9fb604/registro-subsuelo-2024--Jose-Carlos-Flores-08.jpg" data-mid="241250970" border="0" alt="Banners from Madeleine Truell, produced in collaboration between Juan Javier Salazar and artists Aileen Gavonel, Javier Bravo de Rueda, Lucas R&uuml;ckner, Luc&iacute;a Marcos S&aacute;nchez, Carla Bardales, Elizabeth V&aacute;zquez, Chris Luza, among others (2015)." data-caption="Banners from Madeleine Truell, produced in collaboration between Juan Javier Salazar and artists Aileen Gavonel, Javier Bravo de Rueda, Lucas Rückner, Lucía Marcos Sánchez, Carla Bardales, Elizabeth Vázquez, Chris Luza, among others (2015)." src="https://freight.cargo.site/w/1000/i/68f38db5fac51ee7429c71ee8461329a539d42c944d1da575645483c8e9fb604/registro-subsuelo-2024--Jose-Carlos-Flores-08.jpg" /> https://chrisluza.com/Terror-in-motion Tue, 25 Nov 2025 04:58:23 +0000 Chris Luza https://chrisluza.com/Terror-in-motion EN/ESP terror in motion&nbsp; festival- 2023 <img width="2131" height="1542" width_o="2131" height_o="1542" data-src="https://freight.cargo.site/t/original/i/ea539560eab3976a59f38bc48ef55cfc22b80f6d3b6e5bd1169c305eb0e28162/DSC_4679.jpg" data-mid="241057528" border="0" alt="'Gate 2', watercolor on cotton paper, 2023" data-caption="'Gate 2', watercolor on cotton paper, 2023" src="https://freight.cargo.site/w/1000/i/ea539560eab3976a59f38bc48ef55cfc22b80f6d3b6e5bd1169c305eb0e28162/DSC_4679.jpg" /> Terror in Motion: Assaults of the Impossible at the Peruvian House of LiteraturePublic ProgrammingOctober 27, 28, and 29 Thinking about the impossible allows us to rehearse strategies for imagining other worlds, organizations, and qualities that escape our understanding of reality or the common sense of things as we know them. In this sense, fear of "the unknown" tends to haunt the speculative processes we can practice when escaping the limits of our normative comprehension of the world. This set of public activities is an invitation to reflect on how horror narratives—often linked to the fluid and disciplinary nature of fear—can become critical exercises that offer perspective on the ways we read and experience our passage through the world. Some of the activities reinterpret traditional acts of writing to explore new ways of tracing inscriptions on sensitive, spatial, experiential, and virtual surfaces; while others will present the challenges and memories of editorial work dedicated to science fiction and fantasy narratives. In what ways can different forms of evoking fear—through horror—become a language capable of signifying and rethinking the relational movements through which we organize, value, and fictionalize our existences? This festival proposes an encounter between traditional and experimental practices around science fiction and fantasy literature, where written, visual, performative, and sonic languages will coexist. Activity program <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/f272d9093c6ad1183df9b0df98f8227e1da4b8307a334ecc92580e7b3c5d68b5/DSC_4912.JPG" data-mid="241343650" border="0" src="https://freight.cargo.site/w/1000/i/f272d9093c6ad1183df9b0df98f8227e1da4b8307a334ecc92580e7b3c5d68b5/DSC_4912.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/94e126665545ae956ae250bb937fb0bf77b0f9d66959f72e36aa9f02f3d557db/DSC_4964.JPG" data-mid="241343652" border="0" src="https://freight.cargo.site/w/1000/i/94e126665545ae956ae250bb937fb0bf77b0f9d66959f72e36aa9f02f3d557db/DSC_4964.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/a8cce964a58c0c272c37ec7fb7264b5f2ed711792d356cbb25a59f160ebad3d5/DSC_5091.JPG" data-mid="241343655" border="0" src="https://freight.cargo.site/w/1000/i/a8cce964a58c0c272c37ec7fb7264b5f2ed711792d356cbb25a59f160ebad3d5/DSC_5091.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/daa603f1c34fe3359d8612dbc46419a2e3bde07b57a0a03bb4ddb99e7c4ccadf/DSC_5062.JPG" data-mid="241343662" border="0" src="https://freight.cargo.site/w/1000/i/daa603f1c34fe3359d8612dbc46419a2e3bde07b57a0a03bb4ddb99e7c4ccadf/DSC_5062.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/c80804bf04a186bf975017e235aa1c9cf59b2cc17ee4913024a41e7cdf950b0c/DSC_5081.JPG" data-mid="241343654" border="0" src="https://freight.cargo.site/w/1000/i/c80804bf04a186bf975017e235aa1c9cf59b2cc17ee4913024a41e7cdf950b0c/DSC_5081.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/79e320b9770a14f18758333b3effff628d3e510851b113948a209f1320df0cb4/DSC_4888.JPG" data-mid="241343651" border="0" src="https://freight.cargo.site/w/1000/i/79e320b9770a14f18758333b3effff628d3e510851b113948a209f1320df0cb4/DSC_4888.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/5e54b1644eac134ce9caacf4964dc2c3974b9517bc45943ef3bae8377c8bfc43/DSC_5069.JPG" data-mid="241343656" border="0" src="https://freight.cargo.site/w/1000/i/5e54b1644eac134ce9caacf4964dc2c3974b9517bc45943ef3bae8377c8bfc43/DSC_5069.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/ffd708087fdfbed51517ea27754ba7fb9b369d647b708bcae64f3b7df74899a6/DSC_5044.JPG" data-mid="241343661" border="0" src="https://freight.cargo.site/w/1000/i/ffd708087fdfbed51517ea27754ba7fb9b369d647b708bcae64f3b7df74899a6/DSC_5044.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/71472a09f062bed6c3749d38a8f1919f0db421c6b44c0a60a0554b51aae622d1/DSC_5104.JPG" data-mid="241343658" border="0" src="https://freight.cargo.site/w/1000/i/71472a09f062bed6c3749d38a8f1919f0db421c6b44c0a60a0554b51aae622d1/DSC_5104.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/5614cccc29dbba8f08dc4e37d933f4d1bbfc51d5cbc481d92829c4f04b792f5c/DSC_5131.JPG" data-mid="241343659" border="0" src="https://freight.cargo.site/w/1000/i/5614cccc29dbba8f08dc4e37d933f4d1bbfc51d5cbc481d92829c4f04b792f5c/DSC_5131.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/a2ed583984760467adf697d48b341830e3fbaeea32a68b0e2eab3b22d07402e0/DSC_5158.JPG" data-mid="241343615" border="0" src="https://freight.cargo.site/w/1000/i/a2ed583984760467adf697d48b341830e3fbaeea32a68b0e2eab3b22d07402e0/DSC_5158.JPG" /> <img width="4928" height="3264" width_o="4928" height_o="3264" data-src="https://freight.cargo.site/t/original/i/8bbebde5eab53d8bc3b3f462959f767be33c8ae0f385a7357c5bbc2a2d9a42b7/DSC_5114.JPG" data-mid="241343663" border="0" src="https://freight.cargo.site/w/1000/i/8bbebde5eab53d8bc3b3f462959f767be33c8ae0f385a7357c5bbc2a2d9a42b7/DSC_5114.JPG" /> Friday 27 4:00 pm — “CaminoS”: Performance on the Monstrous by Yisela Marroquín and Liz Cruz — AuditoriumA collective performance by two young women narrating the challenges they face for being women. 5:00 pm — Poetry Reading by Raggs, Arture Dávila, Salo Tomoe, La Alda, Ana Lucía Romero. Moderator: BPM — AuditoriumBeyond the structural conditions that shape racialized and gender-dissident bodies, their creative power to challenge common senses of beauty, reality, and normativity is undeniable. The invited authors will present metapoetic reflections, figurations of transition, and echoes of fantastic and fictional imaginaries, where disobedience to certain conservative traditions gives meaning to their writing. 7:00 pm — Science Fiction in Peru and Latin America with Alexis Iparraguirre. Moderators: Oscar Sandoval and Kevin Zavaleta. Organized by Oscar Sandoval — AuditoriumThis conversation offers an analysis of the characteristics, tendencies, and principal themes explored in science fiction written by Peruvian and Latin American authors. 7:15 pm — Performative Presentation of the Fanzine “Apelo” by Jaime Prada — Sala Oquendo de AmatA performative presentation of Apelo, based on a brilliant, glitter-filled reinterpretation of the African guardian spirit Zangbeto. The performance unfolds in two parts: first, the artist seductively interacts with a monstrously sexual version of Zangbeto, followed by the reading of a fragment from the fanzine. Apelo narrates an introspective journey exploring the complex relationship of an individual emotionally wounded by a sexual monster, and the curious forms of healing they develop to regenerate themselves. Saturday 28 2:00 pm — Malignant Creatures Workshop by Chris Luza — Room 2Drawing from a selection of fantastic Peruvian stories, participants are invited to collectively imagine a series of characters and atmospheres shaped by the eerie and the terrifying. Each participant will take home a video documenting their creation, along with bibliographic materials on Latin American horror and fantastic literature. This is a theoretical–practical collaborative workshop requiring no prior knowledge, inviting participants to give form to their fears, anxieties, and terrors. 4:00 pm — Public and Open Session of the Fantastic Literature Circle — AuditoriumThis session’s thematic axis is Monstrous Governments. 4:30 pm — Screening of the VR Short Film Entre mundos by Cristina Portocarrero (Ehua) — Room 2The artist from Iquitos, Cristina Portocarrero, will present the creation and postproduction process of her virtual reality project Entre mundos. 5:30 pm — Terror in Motion — AuditoriumA public sharing of everyday horror stories for Day of the Dead. 6:30 pm — “RIMAK”: Performance of the Poetry Collection (A)post-illa by Sandra Trakanonimx — Sala Oquendo de AmatPerformative and audiovisual presentation of the historical fiction poetry collection (A)post-illa. Sunday 29 2:00 pm — Second Session of the Malignant Creatures Workshop by Chris Luza — Room 2 3:30 pm — Editorial Projects in Fantastic Literature with Tania Huerta, José Donayre, Carlos Echevarría, and Oscar Sandoval — AuditoriumA conversation on the experiences of Peruvian publishers in the dissemination of fantastic literature. 4:00 pm — Hyperliterature and Digital Writing Workshop by Roberto Valdivia (@hiperpoesia) — Room 2A historical and aesthetic overview of technological intervention in new forms of digital writing. 6:00 pm — Disputing Visual Imaginaries: Fantastic Interventions in the Visual Work of @ultrafrantasias and @nietodelasbrujas — Sala Oquendo de AmatIn recent years, the visual inquiries of Andi García (aka @andigar_) and Shañu Leon Perez (aka @nietodelasbrujas) have documented how dissident experiences of the cis-heteronorm are increasingly common realities. Historically, imaginaries around bodies like theirs have been confined to the realm of the fantastic due to the regime of terror imposed by cis-heteronormative hegemony, which denies the vitality of sex-gender diversities by associating them with illness and misfortune.This portfolio presentation examines how Shañu and Andi’s visual work challenges and reconfigures imaginaries of health and well-being for those who dissent from sex and gender norms.